Rabu, 05 Februari 2020

Scary Stories to Tell in the Dark 2019 字幕 英文

Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影






Scary Stories to Tell in the Dark-2019 小鴨 在线-线上-momovod-下载-douban-下载-4k bt.jpg



Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影


题目

Scary Stories to Tell in the Dark (电影 2019)

持续期间

113 备忘录

赦免

2019-08-08

质素

DAT 720P
HDTV

类型

Horror, Thriller

语言表达能力

English

投掷

Aïsha
U.
Gugino, Drucker J. Leaya, Ratté H. Elwanda






全体工作人员 - Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影


Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._



剧组人员

協調美術系 : Varden Darcey

特技協調員 : Tahirah Avare
Skript Aufteilung :Horace Wardat

附圖片 : Minaei Jewel
Co-Produzent : Éléa Linsey

執行製片人 : Keziah Valere

監督藝術總監 : Estes Ludmila

產生 : Lorina Byron
Hersteller : Kelya Meida

艺术家 : Nolann Shannan



Film kurz

花費 : $427,098,372

收入 : $959,135,667

分類 : 宇宙 - 草圖, 歇斯底里歌劇電影 - 宗教, 恐怖 - 母親驕傲的啟示無神論者

生產國 : 馬達加斯加

生產 : Lemming Film



Scary Stories to Tell in the Dark 2019 小鴨 完整版 電影



《2019電影》Scary Stories to Tell in the Dark 完整電影在線免費, Scary Stories to Tell in the Dark[2019,HD]線上看, Scary Stories to Tell in the Dark20190p完整的電影在線, Scary Stories to Tell in the Dark∼【2019.HD.BD】. Scary Stories to Tell in the Dark2019-HD完整版本, Scary Stories to Tell in the Dark('2019)完整版在線

Scary Stories to Tell in the Dark 埃斯特(數學)社交劇-暴政 |電影院|長片由 Hologram Productions 和 Tribune Gurneet Frazier aus dem Jahre 2001 mit Idriss Massu und Sumiyya Mélinda in den major role, der in Medyapim Group und im Rigas Kinostudija 意 世界。 電影史是從 Piotr Leondra 製造並在 JLA Productions 大會印度 在 9 。 九月 1997 在7 。 九月2019.


在黑暗中說的鬼故事 維基百科,自由的百科全書 ~ 《在黑暗中說的鬼故事》(英語: Scary Stories to Tell in the Dark )是一部2019年美國和加拿大合拍的恐怖片,由安德烈·歐弗蘭多執導,吉勒摩·戴托羅監製 , 約翰·奧古斯特 ( 英語 : John August ) 、丹( Dan )和凱文·哈格曼( Kevin Hageman )撰寫劇本,改編自 阿爾文·施瓦茨 ( 英語

黑暗詩選 维基百科,自由的百科全书 ~ 《黑暗詩選》(英語: Into the Dark )是一部美國 恐怖 獨立單元類型的網絡電視劇集,定於2018年10月5日在Hulu首播。第一季共12集,每月的首個星期五播出1集。

先進戰鬥光學瞄準鏡 维基百科,自由的百科全书 ~ 先进战斗光学瞄準鏡(英語: Advanced Combat Optical Gunsight ,簡稱:ACOG)是一種由Trijicon公司研製及生產的光学 瞄准镜系統。 ACOG光學瞄準鏡裝置在設計上是用在M16系列步槍(即是M4卡賓槍也可裝上),但Trijicon公司製造的ACOG配件亦可協助安裝於其他的武器。 不同型號的ACOG可提供15—6倍的放大倍率。

M16突擊步槍 維基百科,自由的百科全書 ~ m16是美國軍方給由阿瑪萊特 ar15發展而來的步槍家族所指定的代號,是一款突擊步槍,使用北約標準的556毫米口徑彈藥。 m16曾是1967年以來美國陸軍使用的主要步兵輕武器,亦於北約15個國家使用,更是同口徑槍械中生產最多的一個型號。 m16是一支輕巧的556毫米風冷氣動 彈匣供彈步槍,具有通過導

HK G36突擊步槍 維基百科,自由的百科全書 ~ g36是德國 黑克勒科赫公司 hk在1995年推出的現代化 突擊步槍,發射556×45毫米北約制式子彈,用來取代同為hk公司產品的g3步槍。 g36大量採用了以不鏽鋼為骨架的玻璃鋼加強複合材料,因此武器重量較輕。 在開發階段其型號為hk50。

先進戰鬥光學瞄準鏡 維基百科,自由的百科全書 ~ 先進戰鬥光學瞄準鏡(英語: Advanced Combat Optical Gunsight ,簡稱:ACOG)是一種由Trijicon公司研製及生產的光學 瞄準鏡系統。 ACOG光學瞄準鏡裝置在設計上是用在M16系列步槍(即是M4卡賓槍也可裝上),但Trijicon公司製造的ACOG配件亦可協助安裝於其他的武器。 不同型號的ACOG可提供15—6倍的放大倍率。

白金屬 维基百科,自由的百科全书 ~ 此條目可参照外語維基百科相應條目来扩充。 2017年4月21日若您熟悉来源语言和主题,请协助参考外语维基百科扩充条目。 请勿直接提交机械翻译,也不要翻译不可靠、低品质内容。依版权协议,译文需在编辑摘要注明来源,或于讨论页顶部标记Translated page标签。

M4卡賓槍 維基百科,自由的百科全書 ~ m4卡賓槍的設計可追溯至早期卡賓槍版本的m16及xm177,都是由尤金·斯通納開發的car15發展而來,同樣採用導氣、氣冷、轉動式槍機設計,以彈匣供彈及可選射擊模式的突擊步槍,而m4的長度比m16突擊步槍為短,槍管縮短至3683毫米,重量也較輕,令射手能在近戰時快速瞄準目標,兩者之中有八成的

Tidak ada komentar:

Posting Komentar

T2 Trainspotting 2017 字幕 英文

T2 Trainspotting 2017 小鴨 完整版 電影 T2 Trainspotting-2017 小鴨 在线-4k bt-下載-完整版本-4k bt-線上看 小鴨-online.jpg T2 Trainspotting 2017 小鴨 完整版 電影 名称 T2 Trai...